Garage Bands

It wasn’t always a garage…sometimes it was a basement, a barn, a porch, or a backyard.  Rock & Roll made kids want to play music, and they had to have someplace to practice.

Almost every band starts out as a “Garage Band”.  Some make it big.  Some have one hit.  Most only play music for the fun of it…and maybe to dream a bit.

The peak of the Garage Band years came from 1963 to 1968.  In 1963, “Louie Louie” (the three-chord #1 hit by The Kingsmen from Portland, Oregon) led the trend.  Who couldn’t learn three chords?  You could probably record it in your garage!  The song was not sung clearly, and the recording wasn’t great, so there was a persistent rumor that the lyrics were “dirty”.  Of course they weren’t, but that didn’t stop some radio stations from banning the song.

The British Invasion increased the desire of young people to play music.  It’s estimated that nearly  200,000 local bands formed in the 1960’s.

Looking back, we can see what artists and songs might fit into the Garage Band label.  Some of the bands had multiple hits, but most were one-hit-wonders who had a spark of creativity.  The majority of Garage Rock songs sound like they could be performed with the classic lineup of guitars, bass, drums, and a keyboard.

In 1972, there was an album called Nuggets that gathered a lot of songs that fit the Garage Band feel.  Some of the songs were national hits, but also included were some hard-to-find regional hits.  I liked the concept, and made my own playlist (you’ll probably recognize most of the songs)…60’s Nuggets

  1. Louie Louie…The Kingsmen (’63)
  2. Run Run Run…The Gestures (’64)
  3. Night Time…The Strangeloves (’65)
  4. She’s About A Mover…The Sir Douglas Quintet
  5. Wooly Bully…Sam The Sham & The Pharaohs
  6. Hang On Sloopy…The McCoys
  7. Keep On Dancing…The Gentrys
  8. I Want Candy…The Strangeloves
  9. Hanky Panky…Tommy James & The Shondells (’66)
  10. Dirty Water…The Standells
  11. Gloria…The Shadows of Knight
  12. Lies…The Knickerbockers
  13. Psychotic Reaction…Count Five
  14. Wild Thing…The Troggs
  15. Hey Little Girl…The Syndicate of Sound
  16. My Little Red Book…Love
  17. Time Won’t Let Me…The Outsiders
  18. 96 Tears…? & The Mysterions
  19. Mr. Moon…The Coachmen
  20. Harlem Shuffle…The Fabulous Flippers
  21. Jezebel…The Rumbles (’67)
  22. I Had Too Much To Dream…The Electric Prunes
  23. Pushin’ Too Hard…The Seeds
  24. Little Bit O’ Soul…The Music Explosion
  25. Talk Talk…The Music Machine
  26. Incense And Peppermints…Strawberry Alarm Clock
  27. We Ain’t Got Nothin’ Yet…The Blues Magoos
  28. Green Tambourine…The Lemon Pipers (’68)
  29. Journey To The Center Of The Mind…The Amboy Dukes
  30. Shapes Of Things To Come…Max Frost & The Troopers    (Songs in chronological order by years…’63-’68)

The songs nearly every local band played are:  “Louie Louie”, “Gloria” by The Shadows of Knight (by Them in the U.K.), “Hang On Sloopy” by The McCoys, and “Wild Thing” by The Troggs.  Proving that “Wild Thing” was still a good starter song in the ’80’s, our young son chose to play it on his new electric guitar at a school talent show.

(Screen shot of fuzzy video…our son playing “Wild Thing”, and wearing a “See you on The Dark Side Of The Moon” T-shirt”.)

There are some great Psychedelic Rock songs that fit the list: “Psychotic Reaction” by Count Five, “I Had Too Much To Dream” by The Electric Prunes, “Incense & Peppermints” by Strawberry Alarm Clock, “Green Tambourine” by The Lemon Pipers and “Journey To The Center Of The Mind” by The Amboy Dukes.  Tom Petty & The Heartbreakers did a rocking live cover of “Psychotic Reaction”.

Some Garage Band songs showed signs of early Punk Rock:  “My Little Red Book” by Love, “Hey Little Girl” by The Syndicate Of Sound, “Pushin’ Too Hard” by The Seeds, and “Talk Talk” by The Music Machine.  Those last three all used a half-sung/half-spoken style for the lead vocals.

(Some of my old 45’s from ‘60’s bands in Nebraska, one’s on the list.)

Since the Nuggets idea included some regional hits, I chose three from the area of my youth.  “Mr. Moon”, by The Coachmen from Lincoln & Omaha, sounds a bit like “96 Tears”.  It was a hit in the Midwest, and in various cities like San Francisco & Boston.  “Harlem Shuffle” was a big regional hit for The Fabulous Flippers from Kansas, and “Jezebel” was a Midwestern hit for The Rumbles from Omaha.  The Rumbles had excellent multi-part vocals.  They could nail The Beach Boys’ intricate harmonies live on songs like “Sloop John B”…something out of reach for most local bands.

There are some mainstream hits on the playlist.  “Lies” by The Knickerbockers is one of my favorites.  “Dirty Water” is true Garage Rock by The Standells, and so is “Hanky Panky”, a #1 hit by Tommy James & The Shondells.  “Time Won’t Let Me” hit #5 for The Outsiders,”Little Bit ‘O Soul made it to #2 for The Music Explosion, and “96 Tears” was a #1 hit for ? & The Mysterions.

The Byrds captured the Garage Band era with 1967’s “So You Want To Be A Rock ‘N’ Roll Star”:

So you want to be a rock ‘n’ roll star,
Then listen now, to what I say.
Just get an electric guitar,
Then take some time and learn how to play.
And when your hair’s combed right
And your pants too tight, it’s gonna be all right.

Then it’s time to go downtown
Where the agent man won’t let you down.
Sell your soul to the company
Who are waiting there to sell plastic ware.
And in a week or two if you make the charts
The girls will tear you apart.

What you paid for your riches and fame,
Was it all a strange game? You’re a little insane.
Play the game and the public acclaim,
Don’t forget what you are, you’re a rock ‘n’ roll star.

The Byrds knew how hard it actually was for bands, and that “making it” might not match a band’s dream.

Hopefully, all those Garage Bands enjoyed their time playing music.  The ones that did have some success sure gave us a great playlist!

Allman Brothers Band / Southern Rock

Since the beginning of Rock & Roll through today, there are elements of Southern Rock in popular music…but the genre really developed and peaked in the 1970’s.

(The Allman Brothers Band…Jaimoe Johansen, Duane Allman, Gregg Allman, Berry Oakley, Dicky Betts, & Butch Trucks)

Although The Allman Brothers Band released albums in 1969 & 1970, it wasn’t until their 1971 live two-record set, At Filmore East, that the band gained national recognition.  The album contained blues covers, plus their popular originals “Whipping Post” and “In Memory Of Elizabeth Reed”.  Their music was a mix of rock, blues, and country with a jam-band style.  They had extensive guitar solos by Duane Allman and Richard “Dickey” Betts, and they had the power of two drummers, Jaimoe Johansen and Butch Trucks.  Throw in the bass work of Barry Oakley, and the R&B-style keyboards and soulful lead vocals by Gregg Allman, and you have the premier band of Southern Rock.

Duane Allman had already been a much sought-after session guitarist.  Eric Clapton used Allman on “Layla” after he heard him as the lead guitarist on Wilson Pickett’s version of “Hey Jude”.  Duane remained in The Allman Brothers Band, but three months after the release of their live album, he died in a motorcycle accident.  It was October 29th of 1971.  Duane Allman was only 24.

Despite the tragedy, The Allman Brothers Band decided to continue, and they released another double-album, Eat A Peach, in 1972.   It was a success, with a great line-up of songs that included “Ain’t Wastin’ Time No More”, “Melissa”, “One Way Out”, “Blue Sky” and “Little Martha”.  Of the nine songs on the album, Duane was on all but three.

Tragedy wasn’t done with the band.  A year after the death of Duane Allman, Berry Oakley was killed in a motorcycle accident just three blocks from where Allman had crashed his motorcycle.  Oakley died on November 11th, 1972, also at the age of 24.  Again, The Allman Brothers Band carried on.

(The spread-open cover of Brothers and Sisters, featuring Berry Oakley’s daughter, Brittany, and Butch Trucks’ son, Vaylor.)

The Allman Brothers Band added pianist Chuck Leavell and bassist Lamar Williams.  In 1973, they released their most commercially successful album, Brothers and Sisters.  The album went to #1 thanks in part to their excellent single “Ramblin’ Man”.  It was their only major hit (#2).  This was also a big album for songwriter/guitarist Dickey Betts.  Besides writing and singing lead on “Ramblin’ Man”, he wrote the popular album cuts “Southbound”, “Jessica” and “Pony Boy”.  The album has sold over 7-million copies worldwide.

The Allman Brothers Band began touring arenas and stadiums, but there was too much tragedy, money, drugs, alcohol, and internal problems.   The band dissolved in 1976.  They reformed briefly in the late 1970’s, and then again in varying forms throughout the following decades.  They were still a popular touring act, but never regained major popularity as a recording act.  Their album A Decade Of Hits 1969-1979 is an excellent collection.

Gregg Allman, who had some solo success…such as a his version of “Midnight Rider” (1974), his song “I’m No Angel” (1987), and his album Low Country Blues (2011)…passed away from complications of liver cancer in May of 2017, he was 69.

Record reviewers in the early ’70’s were calling The Allman Brothers’ music Blues/Rock.  Around 1973 and into the early 1980’s, the number of southern bands grew, and the musical genre became Southern Rock.

Lynyrd Skynyrd and The Marshall Tucker Band were two of the most popular Southern Rock bands of the 1970’s.  Skynyrd had two anthems…”Sweet Home Alabama” and “Free Bird”.  Marshall Tucker’s biggest hits were “Heard It In A Love Song” and “Fire On The Mountain”, and were also known for featuring a flute in their arrangements.  Both bands had more songs that got heavy airplay.  Here’s my iTunes Playlist for some of the Southern Rock songs I own:  (The Allman Brothers Band has a separate list.)

  1. Sweet Home Alabama…Lynyrd Skynyrd
  2. Can’t You See…The Marshall Tucker Band
  3. Hold On Loosely…38 Special
  4. Gimme Three Steps…Lynyrd Skynyrd
  5. Keep Your Hands To Yourself…The Georgia Satellites
  6. Heard It In A Love Song…The Marshall Tucker Band
  7. Midnight Rider…Gregg Allman
  8. Caught Up In You…38 Special
  9. Call Me The Breeze…Lynyrd Skynyrd
  10. The South’s Gonna Do It Again…Charlie Daniels Band
  11. Fire On The Mountain…The Marshall Tucker Band
  12. If You Want To Get To Heaven…Ozark Mountain Daredevils
  13. What’s Your Name…Lynyrd Skynyrd
  14. Back Where You Belong…38 Special
  15. I’m No Angel…Gregg Allman
  16. The Devil Went Down To Georgia…Charlie Daniels Band
  17. Free Bird…Lynyrd Skynyrd

Other artists that could be included here are on different playlists, such as my Country Rock lists.

We never caught any of the major Southern Rock bands in concert, but the music lives on with another generation.  We saw The Tedeschi Trucks Band in Salem.

(Susan Tedeschi & Derek Trucks…December 2013 in Salem, Oregon)

Their album Revelator won the 2012 Grammy Award for Best Blues Album.  Derek Trucks is the nephew of Allman Brothers drummer Butch Trucks.  Derek was a child prodigy on guitar, and was performing in public at age 9.  He  joined The Allman Brothers Band in 1999, and played with them until 2014.   Susan Tedeschi was also a child prodigy on guitar and was in a band by age 13.  The two guitarists met while Tedeschi’s band was opening for The Allman Brothers Band, and they married in 2001.

During the concert, Susan Tedeschi mostly played rhythm guitar while she sang lead vocals…kind of in the style of Bonnie Raitt, but a little harder.  Derek Trucks really impressed us with his guitar solos.  Then just before the concert ended, Susan took the lead guitar part on one song…and just blew us away!  There can’t be many bands with two great guitarists like them.

With new generations of Southern Rock and Blues/Rock musicians, maybe Gregg Allman was right in “Midnight Rider”…”The road goes on forever”.

Lindsey Buckingham told “Go your own way” (4 Updates)

What kind of crazy mixed-up world do we live in when Lindsey Buckingham is fired by Fleetwood Mac?

Buckingham was the architect of the sound that made Fleetwood Mac so popular starting in 1975.  After all the success producing their songs, being one of three songwriters & lead vocalists, and playing lead guitar, he quit the group in 1987.   He was replaced by two musicians, Billy Burnette and Rick Vito.

Then after 10 years, he rejoined Fleetwood Mac for their 1997 reunion, “The Dance”.  The group has toured on and off since then, including quite a few years without Christine McVie.

(Mick Fleetwood, Christine McVie, John McVie, Lindsey Buckingham, Stevie Nicks)

This month, after disagreements about an upcoming tour, Fleetwood Mac dismissed Buckingham, and replaced him with The Heartbreaker’s lead guitarist, Mike Campbell, and Crowded House leader Neil Finn.  Those are two extremely talented musicians who could actually add some new touches to Fleetwood Mac.  Notice how it always takes two guys to replace Lindsey Buckingham.

Update 1:  Some quotes in Rolling Stone tell us more.

Mick Fleetwood said about the disagreement over the fall tour…“We arrived at the impasse of hitting a brick wall.  We made a decision that we could not go on with him.  Majority rules in terms of what we need to do as a band.

Stevie Nicks said Buckingham wanted to put off the tour for a year, and the band didn’t want to wait.  Fleetwood Mac will be performing songs from the entire history of the band, including before Stevie and Lindsey joined.  Nicks said…“We were never able to do that since 1975, because certain people in the band weren’t interested in doing that.”  Nicks compared the situation to the ending of a long marriage.  “We were never married, but we might as well have been.  This is sad for me, but I want the next 10 years of my life to be really fun and happy.”

Above, Fleetwood Mac with Neil Finn & Mike Campbell.  Speculation about old Fleetwood Mac songs that could be done on the tour…  “Black Magic Woman” (FM’s is the original version), “Oh Well”, “Albatross”, “The Green Manalishi”,  and “Hypnotized”.   Note:  They’re playing “Black Magic Woman”, “Oh Well” (Mike Campbell vocal) and “Hypnotized” (Neil Finn vocal)…plus Tom Petty’s “Free Fallin'” and “Don’t Dream It’s Over” by Neil Finn’s Crowded House.

I’m a fan of Lindsey Buckingham, and own most of his albums.  1992’s Out Of The Cradle is far and away his best album.  Unfortunately, his more recent studio albums have over-produced effects on his voice.  His 2012 live album, Songs From The Small Machine, has some better versions of his later material.

(Lindsey Buckingham released Solo Anthology: The Best Of Lindsey Buckingham in October, 2018.  The deluxe 53 song 3 CD set [2 studio, 1 live] is around $20, and the single CD 21 song version [disc 1 above] is about $10.)

We had tickets for his concert in a fairly small venue in Lincoln, Nebraska in the early 2000’s.  But, when we showed up to see him, we were informed he was not satisfied with the sound system, and had canceled the show.  He has a reputation for sometimes being difficult…although that might be an interpretation of his caring about doing things right.

So…now that Lindsey Buckingham is “Second Hand News”…will the new tour be a success for Fleetwood Mac?  Almost certainly, yes.  There’s plenty of star power with Stevie Nicks, Christine McVie, and the rest of this new line-up.  Their first performance will be at a September 21st festival in Las Vegas.  Then the 52 show tour starts October 3rd.  (Update 2:  Mac performed on TV 9/5/18, playing “The Chain” & “Gypsy”.  Neil Finn sounded great on vocals, and Mike Campbell really rocked lead guitar!  The whole group sounded energized.  Reviews of the tour have been very positive.)

History has shown us bands are their own brands, and not all the original members are needed.  Journey still draws crowds without lead singer Steve Perry.  Foreigner does the same without lead singer Lou Gramm.  Queen is a  success without Freddie Mercury, and many more longtime bands draw crowds without various original members.  Apparently, fans want to hear the hits, and “close enough” versions are accepted.

As for Lindsey Buckingham…it seems a shame that the members of Fleetwood Mac had to “break the chain”.

Update 3:  Lindsey didn’t like the broken chain either.  As of October 2018, he is suing Fleetwood Mac for firing him, and is seeking an estimated 12-to-14-million dollars in lost income from the tour.

Update 4:  12/8/18…Lindsey Buckingham says he and Fleetwood Mac have settled his lawsuit.  In an interview with CBS, he said he’s satisfied with the outcome, but didn’t reveal details.  Buckingham also said during the interview that he heard Stevie Nicks had given a “him or me” choice to the rest of the band.  Buckingham said that even though it’s doubtful he’ll ever rejoin the band, he won’t say he’s “Never Going Back Again”.

Nashville…Music from the TV show

The Nashville television show is fiction, but the music is real.

Nashville’s first season of music was produced by Grammy and Oscar winner T-Bone Burnett.  He’s produced some of Country’s best-reviewed and award-winning albums, and he’s done the same for movie soundtracks, including movies by the Coen Brothers.  Burnett doesn’t follow the latest Pop/Country trends, instead, he produces music the way he believes it should sound…which is authentic.

Burnett was assisted by another Grammy-winning musician, songwriter, and producer Buddy Miller.  Miller took over the Executive Music Producer position after the first season…which was in 2012.  Nashville was created by Academy Award winner Callie Khouri, who wrote the screenplay for Thelma & Louise.

So…there were quality artists behind the scenes for both the music and the drama.  The cast had to be talented as actors and as singers.

(Hayden Panettiere,  Charles Esten,  & Connie Britton)

The two lead characters are Rayna Jaymes, a legendary Country star played by Connie Britton (who had been in critically acclaimed “Friday Night Lights”)…and Juliette Barnes, a young successful Country/Pop star played by Hayden Panettiere (who was popular from her role in the TV series “Heroes”).  The beginning of the series was about the competition between these two Country stars.  Both actresses were critically praised for their performances on Nashville.  Hayden is the stronger musical performer, and also has the dance chops to make believable music videos in the show.

Deacon Claybourne, Rayna’s guitarist and love of her life, is played by Charles Esten.  Esten had starred as Buddy Holly in “Buddy” on the London stage in the ’90’s, and appeared as a guest in many TV series…from “Star Trek: The Next Generation” to “The Office”.

The show found vocal gold with Clare Bowen (who’s Australian) and Sam Palladio (who’s British).  They play Scarlett & Gunnar, a couple of up-and-coming singer/songwriters.  The duets by these two “When The Right One Comes Along”, “If I Didn’t Know Better”, “I Will Fall” and “Fade Into You” were highlights of the first season.  They were the first two actors cast.  The above photo shows them on the set that duplicates the famous Bluebird Cafe in Nashville.

Even more vocal gold came in the form of two real-life sisters, Lennon & Maisy Stella.  The younger sister, Maisy, auditioned for the part of Rayna’s daughter.  When the producers found out Maisy had a sister, and that they sang beautiful harmonies together on popular YouTube videos, they decided Rayna had two daughters (Maddie &  Daphne) at the ages of these two young stars.  Lennon & Maisy are the daughters of a musical duo popular in Canada, The Stellas.

The love of Juliette’s life is Avery Barkley, played by Jonathan Jackson.  The final major musical character is Will Lexington, played by Chris Carmack.  Both Jackson & Carmack have acting and musical backgrounds, and are good guitarists.

Besides talented music producers and solid actor/vocalists, Nashville’s secret to having a lot of great music over six seasons is that they use many of the real Nashville’s up-and-coming songwriters, some who’ve become better known since the show started.  Contributing songwriters include…Nashville duo The Civil Wars, Kacey Musgraves, Lucinda Williams, Gillian Welch, Sarah Siskind, Kate York, Sara Buxton, Steve McEwan, Sarah Zimmerman, Justin Davis, Trent Dabbs, Jake Ethridge, Garrison Starr, and many more.

The music is fully integrated into the show.  The songs reflect what the characters are experiencing in their lives, especially because they’re supposedly writing the songs.  The shows producers literally sort through thousands of songs to find ones that work.  They also say some songs they find are so good they’ve written scripts in order to work the songs into the show.  One of the stated purposes of the producers of Nashville was to provide new songwriters a way to get their music heard.  Based on interviews with the songwriters, the plan has definitely worked.

(After 4 seasons on ABC, and 2 on CMT, Nashville has come to an end)

The show produced over 40 new recordings each year.  I select about 24 songs from each season to be on my “Nashville Best Season 1” through “Nashville Best Season 6” playlists…a total of 144 songs.  I’m not a major Country fan, but most of the songs on Nashville are more in the singer/songwriter vein, and some lean to Pop & Rock, because that’s the kind of music the various characters would perform.

I’ve put together some suggestions of songs you could check out on streaming services.  Just Google…Nashville Cast and the title of the song…most are on YouTube.  Or if you’re using Siri or Alexa, just ask them to play the song title and “by Nashville Cast”.

Songs by Clare Bowen & Sam Palladio (as Scarlett & Gunnar)

  1. When The Right One Comes Along
  2. If I Didn’t Know Better
  3. Fade Into You
  4. Something’s Gotta Give

Songs by Lennon & Maisy Stella (as Maddie & Daphne)

  1. A Life That’s Good
  2. Sanctuary
  3. Beautiful Dream (ballad version) [by Lennon]
  4. Come And Find Me (by Maisy)

Songs by Hayden Panettiere  (as Juliette)

  1. Telescope
  2. Undermine
  3. Don’t Put Dirt On My Grave Just Yet
  4. Nothing In This World Will Ever Break My Heart Again

Songs by Charles Esten (as Deacon)

  1. Sideshow
  2. Friend Of Mine
  3. I Know How To Love You Now
  4. Always Keep On Loving You

Songs by other cast members

  1. Borrow My Heart (Jonathan Jackson with Clare & Sam)
  2. History Of My Heart (Jonathan Jackson)
  3. The Blues Have Blown Away (Connie Britton with Lennon & Maisy)
  4. Surrender (Connie Britton with Charles Esten)

It’s not easy to instantly like songs on the first listen, but give it a try, and maybe you’ll enjoy The Music Of Nashville too.  You certainly don’t need to see the show to appreciate the songs.  “Nashville” has ended, but the music transcends the show.

Pink Floyd…Which One’s Pink?

Pink Floyd is one of the most successful bands in history, but that doesn’t mean all of their fans jumped on the bandwagon right away.  And, the band didn’t make it easy either.

Roger Waters, Nick Mason, Syd Barrett, & Rick Wright…1967

Pink Floyd’s name is taken from the names of two bluesmen, Pink Anderson and Floyd Council.  That’s because in 1965, the group planned on being a blues band.  Plans change, and in 1967 they were considered England’s first Acid Rock/Psychedelic band.  Their lead vocalist, lead guitarist, and main songwriter was Syd Barrett.  The band had some success in England in 1967 with a couple of singles…”See Emily Play” (#6 U.K.) and “Arnold Layne” (#20 U.K.), and with their album The Piper At The Gates Of Dawn (#6 U.K.).  Pink Floyd was also a popular live act in London, and used interesting light shows to heighten the psychedelic effect.

The album and some singles did nothing in the United States, although I do remember hearing “Astronomy Domine” on one of those sampler albums the record labels put out in the late ’60’s and early ’70’s.

Then there was a problem that would have ended most groups.  The band’s leader, Syd Barrett, who had been using LSD regularly, suffered a mental breakdown.  He had to leave the band in early 1968.  The band had already added his replacement, David Gilmour, and Roger Waters took on most of the songwriting and the leadership role.

Rick Wright/keyboards, David Gilmour/guitar, Roger Waters/bass, Nick Mason/drums

Although some fans love the band’s early music, the fact is…they released 7 albums that mostly failed in the U.S.  The most successful one barely cracked the top 50, and some didn’t even make the top 200 chart.  If their career had ended there, most people would not have even heard of Pink Floyd.

So, there was no way to predict what happened next:

In 1973, Pink Floyd released The Dark Side Of The Moon, and everything changed.  The album went to #1 in the United States, and went on to sell over 45-million copies worldwide.  It holds the record for most consecutive weeks on the Billboard album chart…741 weeks…that’s over 14 years!  Those continuous sales meant the album kept finding new fans.  Our son, Paul, was born the year the album came out.  He’s a more knowledgeable Pink Floyd fan than I am, and he literally wore through his favorite The Dark Side Of The Moon T-shirt by the time he graduated high school.

There were a lot of reasons why Dark Side was successful.  Instead of extremely long songs with psychedelic or obscure lyrics, the songs are much better melodically, less drawn out (but they still have room to breathe), and the lyrics are purposefully direct and about important aspects of everyday life.  In addition, Pink Floyd had honed the songs in concert for a year before they took them them into the studio.

The Dark Side Of The Moon was recorded at Abbey Road Studios with engineer Alan Parsons, who had worked on Let It Be and Abbey Road for The Beatles.  Upon hearing the album, Capitol Records launched a major advertising campaign.  Since the songs were considered too long to be singles, the label released professionally edited shorter versions of the songs “Money”, “Time” and “Us And Them”.  That helped the group get on more radio stations.  “Money” even had an edited version that changed the “bullshit” line to just “bull”…in case station owners were afraid to offend anyone.  Money, and lots of it, was flowing to the members of Pink Floyd.

There is a great “Classic Albums” film documentary…The Making of The Dark Side Of The Moon.  It features interviews with all 4 members of Pink Floyd, who offer great insights and play instruments to demonstrate some of the parts (a couple of really nice acoustic versions).  The 2003 film is wonderfully edited together…going from live playing, right into the original studio versions.  I bought the documentary, and now it’s for sale on iTunes for only $1.99.

With The Dark Side Of The Moon, Pink Floyd became the popular and influential band we know today.  Roger Waters was the main songwriter, but all four members contributed some songwriting, and added to the arrangements, particularly David Gilmour’s perfect-for-each-song guitar solos.

Follow up albums include:  Wish You Were Here , #1 in 1975.  It’s nearly as good as Dark Side, is the favorite of Gilmour and Wright, and includes the line from a music executive asking the band members…”Which one’s Pink?”.  Animals, #3 in 1977.  And the 1979 album…The Wall.

The Wall was another “cultural event” and third #1 album for Pink Floyd.  It had massive sales.  Although it didn’t sell as many units as Dark Side, it officially is listed as having greater sales, because it was a double-album and each unit sold represented 2 albums.  The Wall also contained Pink Floyd’s only #1 hit, “Another Brick In The Wall (Part II)”.  Interestingly, Pink Floyd just had two Top 40 singles, the other being “Money”, but they had plenty of their album cuts played on FM stations…still do.

Maybe all that success was too much pressure, because there was a lot of tension in the band.  Waters even wanted to not include  David Gilmour’s outstanding cut “Comfortably Numb”  in his rock opera The Wall.  The last Pink Floyd album to include Roger Waters is The Final Cut in 1983.  It sold okay, and at the time was considered the band’s last album.

In 1987 David Gilmour, Richard Wright, and Nick Mason reformed the group and released A Momentary Lapse Of Reason.  It’s a solid effort (I love “On The Turning Away”), and the public responded in a big way to the album and especially the tour.  It continued the Pink Floyd style of elaborate stage productions with big screen videos, laser lights, and giant props.

Another successful studio album from this lineup is The Division Bell in 1994.  There was the live album Pulse in 1995, and their final (nearly all instrumental) album  Endless River in 2014.

My wife and I were lucky to see Roger Waters in concert in Omaha in June of 2007.  It was a stellar large arena show with excellent musicians, and all the production values of a Pink Floyd show, even the famous flying pig.  Waters and his band performed many of the best Floyd songs (he sounded great on “Wish You Were Here”).  Then they presented the entire Dark Side Of The Moon album…while a giant lighted pyramid hung over the sold out audience and beamed more lighting to the stage.

We’ve never seen David Gilmour perform live, except in some videos of his Pink Floyd style concerts.  We do have three of his solo albums, and enjoy his distinctive guitar playing and vocals.

For a band that had so much trouble finding commercial success, Pink Floyd has sold over 250-Million Albums.

Everyone has heard of Pink Floyd.

Ricky Nelson…Not Just A Teenage Idol

Ricky Nelson first became known as a cute kid on his parent’s radio and television show “The Adventures Of Ozzie & Harriet”.  The TV version of the show started in 1952 when Ricky was 12.

(The Nelsons – Ricky, David, Harriet and Ozzie – a real family and a TV family.)

Ricky Nelson became a popular Rock & Roll singer in 1957, when he was 17.  My family watched the show, and saw Ricky Nelson performing his hits…which started with his cover of Fats Domino’s “I’m Walking” (#4).  It was somewhat unfortunate that this was his first million-seller, because white artists had been covering songs by black artists, and the black versions were not getting enough airplay.  That trend was deplored by music critics.  Of course Fats Domino had just as big a hit with “I’m Walking” (#4).  Many years later Ricky and Fats even toured together.  After that one hit, Ricky Nelson built his career on original songs, mostly provided by professional songwriters.

(“Teen Age Idol” picture sleeve from my dad’s collection.)

A favorite memory from grade school…one of my classmates, Keith Goins, was a guitar player, and we used to sing Ricky Nelson songs.

Nelson performed in what might be considered the first music videos.  They were played at the end of episodes of “Ozzie & Harriet”, when Ricky would sing his songs.  The videos were production pieces, not just performances.

(He started going by Rick in 1961, but “Ricky” stuck.)

Ricky Nelson’s other Top-10 Hits (nearly all million-selling) included:  “Be-Bop Baby” (#3), “Stood Up” (#2), “Believe What You Say” (#4), “Poor Little Fool” (#1), “Lonesome Town” (#7), “Never Be Anyone Else But You” (#6), “It’s Late” (#9), “Travelin’ Man” (#1), “Hello Mary Lou” (#9), “Young World” (#5), “Teen Age Idol” (#5), “It’s Up To You” (#6), and “For You” (#6).  Those are just some of the 33 Top-40 hits he had from May of 1957 to January of 1964.

Then, Ricky Nelson stopped having hits.

What happened in January of 1964 that could have had such a big impact on his career?  The Beatles happened.

Almost that quickly, teen idols were replaced by British bands and singers.  It wasn’t that teen idol types didn’t still release music, it  just didn’t chart well anymore.  Even Elvis Presley only had one Top-10 hit from the beginning of 1964 to mid 1969.

What eventually got Rick Nelson back on the charts was forming The Stone Canyon Band in 1969.  Rick Nelson’s songs often had a country sound to them, especially “Hello Mary Lou” in 1961, which some people consider early Country Rock.  Rick Nelson & The Stone Canyon Band, focused on that Country Rock sound, even adding steel guitar.  They were on the Top 40 chart in January of 1970 with the Bob Dylan song “She Belongs To Me”, and had a well-reviewed album, In Concert At The Troubadour.  The band included Randy Meisner, who went on to become one of the founding members of Eagles.

Rick Nelson and his band played a Rock ‘N’ Roll Revival concert in Madison Square Garden in 1971, and it didn’t go particularly well.  When they played a newer song, a cover of “Honky Tonk Women” (then a fairly new song by The Rolling Stones), there was booing in the audience.  Nelson left the stage, but was convinced to finish the set.  He stuck to the oldies the audience wanted.  Some audience members said the booing was actually about a police action in the audience, but still, it angered Rick Nelson and he wrote “Garden Party”.

The song went to #6 on the Pop chart, #1 on the Adult Contemporary chart, and sold over 1-million copies in 1972.  Garden Party tells the story of his experience at Madison Square Garden.  He thought the booing was for not looking like he did back in the early ’60’s, and for not just playing his old hits.  The song also has a lot of clever descriptions of artists who attended or performed at the concert.

Unfortunately, that was the last chart success for Rick Nelson.  Then after a messy divorce in 1982, he was forced to tour, because he needed money.  “I get no rest when I’m feelin’ weary, I gotta pack my bags and go.  I gotta be somewhere tomorrow, to smile and do my show.”…lyrics from “Teen Age Idol”.

It was in 1985 that he released the collection, Ricky Nelson: All My Best.   You can see he embraced the “y” he couldn’t get rid of.

He also launched a comeback tour in 1985.  He didn’t like buses, so he bought a 1944 Douglas DC-3 airplane that was once owned by Jerry Lee Lewis.  The DC-3 was old and unreliable.  On December 31st, 1985, the plane crash-landed northeast of Dallas, Texas.  Nelson and all six members of his band and crew died in the crash.  Rick Nelson was just 45 years old.  There was a false and hurtful rumor that the musicians had been freebasing cocaine, but the official investigation by the National Transportation Safety Board said a faulty heater caused the smoke and fire that led to the crash.

One somewhat eerie note…the last song Rick Nelson performed on stage was “Rave On” by Buddy Holly, who also died in a plane crash.

Ricky Nelson wasn’t just a kid who was made into a teen idol.  Sure he had the good looks of a movie star, and did some film work, but foremost he was a musician.  He played guitar, wrote some of his own songs, and he had a great baritone voice with excellent range.  Ricky Nelson brought along other young musicians, such as guitarist James Burton who gained his own fame through the years.  Nelson was also one of the earliest movers in Country Rock in the 1960’s, before it blossomed in the 1970’s.

Ricky Nelson helped make early Rock & Roll popular, and then contributed to its evolution.

Carole King…Songwriter, then Singer

For Carole King, songwriting came first.

Born Carol Klein in February of 1942,  she started playing piano when she was just four years old, and had the ability to correctly identify a note by simply hearing it.  As a young adult in New York, she came in contact with other interesting musical friends.  She made record demos with Paul Simon, and dated Neil Sedaka, who wrote the song “Oh Carol” for her.  Then, at just 17 years old, she married the man who became her songwriting partner…Gerry Goffin.

Carole King (her chosen professional name) and Gerry Goffin had their first real songwriting success in 1961 with “Will You (Still) Love Me Tomorrow”, which was a #1 hit for The Shirelles.  Soon, Goffin and King became what is probably the most famous songwriting team to come out of the Brill Building “song factory” in New York.  The other team that comes to mind is Barry Mann and Cynthia Weil.  It was a time when most performers didn’t write their own songs, but used professional songwriters.  Carole wrote the melodies, and Gerry wrote the lyrics.

Other major songs from Goffin and King are:  “Take Good Care Of My Baby”(#1 for Bobby Vee), “Chains” (#17 for The Cookies, and covered by The Beatles), “The Loco Motion” (#1 for Little Eva, also #1 for Grand Funk Railroad, and #3 for Kylie Minogue), “Go Away Little Girl” (#1 for Steve Lawrence), “Up On The Roof” (#5 for The Drifters), “Hey Girl” (#10 for Freddie Scott and #9 for Donny Osmond), “One Fine Day” (#5 for The Chiffons), “I’m Into Something Good” (#13 for Herman’s Hermits), “Just Once In My Life” (#9 for The Righteous Brothers, Phil Spector got a writing credit too.), “Pleasant Valley Sunday” (#3 for The Monkees), and “(You Make Me Feel Like) A Natural Woman” (#8 for Aretha Franklin).  Those are only some of the songs they wrote during their 10 years together, and of course their songs were recorded by many more artists.

When Carole King split from Gerry Goffin, both personally and professionally, she decided to try performing her own songs.  Back in 1962, she had a minor hit with “It Might As Well Rain Until September” (#22), but it was 1971 when the world would know the singer, Carole King.

It’s hard to overstate how Carole King’s Tapestry album dominated 1971.  It held the #1 spot on the Billboard Top 200 for 15 weeks, then stayed on the charts for over 6 years, second in longevity only to Pink Floyd’s The Dark Side Of The MoonTapestry was the biggest selling album in history at its time of release, and has sold over 25-million copies worldwide.  It featured the hits “It’s Too Late” (#1), “I Feel The Earth Move”, and “So Far Away”, plus songs that became hits for other artists…”Where You Lead” by Barbra Streisand, and most notably “You’ve Got A Friend” (#1) for her good friend James Taylor.

The two had been recording together…on James Taylor’s Sweet Baby James and Mud Slide Slim albums…and doing live performances.  It was during rehearsal when James heard Carole playing “You’ve Got A Friend”.  The professional songwriter in Carole King allowed her to give up the song when James Taylor asked her permission to be the first to release “You’ve Got A Friend” as a single.  By the way, Carole King said it’s the only song that came to her in a dream.

Carole King won four Grammy Awards for Tapestry, including Album Of The Year, Best Pop Vocal Performance (Female), Record Of The Year for “It’s Too Late”, and Song Of The Year for “You’ve Got A Friend”.  Almost all of the songs on the album got FM radio play, and were well known among fans.

My wife told me, when we were in Virginia Beach in 1971, that one of her co-workers always put on “Beautiful” to start her day.  The lyrics are:  “You’ve got to get up every morning with a smile on your face, and show the world all the love in your heart.  Then people gonna treat you better.  You’re gonna find, yes you will, that you’re beautiful, as you feel.”  “Beautiful” is also the title of the Broadway musical and touring show about Carole King’s life.

Carole King had moved from New York to California after her divorce from Gerry Goffin, and somehow fit in with the music on the West Coast.  1971 was a time when peace, love, and the hippy movement were still factors in America.  And, there was Carole King on the cover of her album, holding a tapestry that she had made, she’s barefoot, and has her cat with her.  She looks natural and relatable, and became the leader of the female portion of the singer-songwriter movement.  Tapestry featured sparse, intimate arrangements, with production by Lou Adler.

The song “Where You Lead” got new life, and new meaning in 2000 when Carole King was asked to do the song as the theme for “The Gilmore Girls” TV show.  Carole performed the song with her daughter, Louise, and it became associated with the TV daughter, Rory (Alexis Bledel) following the lead of her mom, Lorelei (Lauren Graham).  Carole King even took a small role as a music store owner for a few episodes.

(My picture sleeve for Carole King’s “One Fine Day” single.)

Carole King had 14 Top 40 hits, including “Sweet Seasons” (#9), “Jazzman” (#2), and “Nightingale” (#9).  She’s also released 25 albums, and continues to perform.  She had a reunion with James Taylor for the Live At The Troubadour album which hit #4 on the charts in 2010 and was certified Gold.  They even toured together, because they enjoyed the reunion so much.

For songwriting, Carole King and Gerry Goffin were inducted into The Rock & Roll Hall Of Fame…as a team…however, Carole King has not been inducted as a performer.  It doesn’t make sense how anyone this successful, and influential could be left out.  Maybe it’s not really important, but it demonstrates how The Rock & Roll Hall Of Fame isn’t as inclusive of women as it should be.  Other organizations understand.  She is the first woman to be honored with the Library Of Congress Gershwin Prize, and was a Kennedy Center Honoree in 2015.

Where Carole King led, lots of people followed.  The songs she’s written, and the songs she’s sung, will certainly be enjoyed, for generations to come.

Kris Kristofferson…Country’s Bob Dylan

Some artists are more important than their record sales.  Kris Kristofferson was never a big-selling artist, but his songs from the late ’60’s and early ’70’s are the gold standard for songwriting in Country music.

Some of Kristofferson’s songs from his early career include: “Sunday Morning Coming Down” (for Johnny Cash), “Me & Bobby McGee” (for Janis Joplin), “For The Good Times” (for Ray Price), “Help Me Make It Through The Night” (for Sammi Smith), “Loving Her Was Easier (Than Anything I’ll Ever Do Again)”, and “Why Me”.

With the exception of “Why Me” (his biggest single, #1 Country, #16 Pop) and “Loving Her Was Easier” (#4 AC, #26 Pop), Kris Kristofferson’s songs were hits for other artists, as indicated above.  Many more artists covered his songs, but those were the most popular versions.

Not only do the songs have memorable melodies, but they include some of the best lyrics ever written for Country music.  Kristofferson provided for Country what Bob Dylan did for Rock…deeper meanings, more complex topics, and clever phrasing.

These days, we simply type the word “lyrics” and a song title into Google, and we can read the lyrics of almost any song.  If that’s done with Kristofferson’s songs, people can see how well written they are, and how they go beyond what is considered typical Country songs.

In one year, 1970, Kristofferson’s songwriting won “Song Of The Year” from The Academy Of Country Music, and “Song Of The Year” from The Country Music Association.  But the thing is…the awards were for two different songs, “For The Good Times” (Ray Price) and “Sunday Morning Coming Down” (Johnny Cash).  That feat has not been done before or since.

So why was Kris Kristofferson’s songwriting so different?  Maybe because his background is anything but typical.  Growing up mostly in California, Kristofferson was an athlete…football, rugby, and boxing.  He was a scholar…Bachelor’s Degree in Literature (summa cum laude), was elected to Phi Beta Kappa, and won a Rhodes Scholarship to Oxford University in England.  It was there that he began writing songs.

Under pressure from his military family, Kris Kristofferson joined the U.S. Army.  He became a helicopter pilot, an army Ranger, and attained the rank of Captain.  By 1965, Kristofferson left it all behind to move to Nashville to become a professional songwriter…and ended up sweeping floors at the Columbia Records studio.  He was probably the only Rhodes Scholar janitor in history.

Eventually, he was able to get his songs into the hands of Johnny Cash, and other Country artists.  Rocker Janis Joplin recorded “Me & Bobby McGee”, partly because Kristofferson & Joplin were a couple shortly before her death.

Kris Kristofferson’s first two albums, in 1970 and 1971, contain his most famous songs.  The albums are Kristofferson (later the title was changed to Me & Bobby McGee) and The Silver Tongued Devil & I.

Those two albums make up half of the songs on his career retrospective double-album The Essential Kris Kristofferson .  The other half of the collection covers 14 years…so, you can see how front-loaded his career was.

Another part of his career was acting.  He had quite a few movie roles, and the peak of his acting was winning a Golden Globe for “A Star Is Born” co-starring Barbra Streisand.

Although my wife and I were aware of many of the songs Kristofferson wrote, we almost missed his great versions.  It was in 1976 during my first radio job as a news reporter at KLEM AM & FM in LeMars, Iowa, that we were first introduced to his records.  One of the DJ’s, George Norman, knew we liked James Taylor, Jackson Browne, and other singer-songwriters, so he recommended Kris Kristofferson.

We bought those first two albums that George recommended, and Kristofferson became one of our favorite artists.  He has a deep, somewhat gravelly voice that not everyone likes, but we think his versions of his songs are definitive.  The arrangements compliment the songs perfectly, and his voice captures all the nuances of the lyrics.

We bought some more of his albums, but the truth is, the recordings we love are all from 1970-1973.

Kris Kristofferson went on to a lot more success, including working with Johnny Cash, Willie Nelson, and Waylon Jennings in The Highwaymen.  Fairly recently, I saw a video of one of their old concerts, and The Highwaymen featured more Kristofferson songs than songs by any one of those other major stars.

Kris Kristofferson songs are so good, everyone wants to perform them.

Rock & Roll Hall Of Fame Visit

It was 20 years ago today…that we visited the Rock & Roll Hall of Fame Museum in Cleveland, Ohio.

(Four postcards we bought at the museum, click to enlarge)

It’s hard to believe it’s been that long.  Back then, they didn’t allow photos to be taken inside the museum, so I made a journal of what we saw in order to help us remember.

The large main displays were “on loan” from artists or their families.  In this case, we saw excellent displays from John Lennon and Neil Young…two of our favorite artists.

The Lennon display was particularly impressive.  It had John’s Sgt. Pepper uniform, his collarless Beatles’ Jacket, and his black leather jacket from Hamburg, Germany.

(John’s is the green jacket in this 50th anniversary Sgt. Pepper display)

There were four of John’s guitars, including the black Rickenbacker he used during the Shea Stadium concert, and the acoustic guitar he used for “Give Peace A Chance”.   John’s hand-written lyrics for “In My Life” and “Lucy In The Sky With Diamonds” were on display, along with a gold record for Sgt. Pepper, and a pair of John’s famous wire-rim glasses.  Plus, there were many more personal items, and promotional Beatles posters.

(Neil Young’s gigantic stage props from Rust Never Sleeps)

The museum had Neil Young’s oversized props from his Rust Never Sleeps tour.  That included large Fender and Marshall amps and the huge microphone as shown above.  There were Neil’s hand-written lyrics to “Rockin’ In The Free World”, and a black leather jacket with fringe on it that he wore when he was in Buffalo Springfield.  There was also a telegram from 4/28/82 complementing Neil on his Live Rust album, and saying “We’ve listened to it over and over and love it”…signed Paul & Linda McCartney.

(20-years ago we were there…actually, April 22nd, 1998.)

There are permanent displays for artists who have been inducted into the Rock & Roll Hall Of Fame.  We saw the new display for the Eagles (class of 1998).  It included Glenn Frey’s first guitar, and Don Felder’s white double-neck guitar from “Hotel California”.

The Allman Brothers display had a Duane Allman Guitar, a Dicky Betts guitar, a Gregg Allman B-3 Organ, and a Butch Trucks drum set.  There was also a bass case (possibly Berry Oakley’s) that was covered with stickers.

Other displays included:

Led Zeppelin guitars and costumes, including those worn by Robert Plant and Jimmy Page (black dragon outfit).

Paul Simon’s guitars from Simon & Garfunkel albums & Graceland.

Huge concert props used by Pink Floyd.

The Mamas & The Papas stage costumes.

Roy Orbison’s black guitar and horn-rimmed glasses.

Ricky Nelson’s guitar and hand-written “Garden Party” lyrics.

Elvis Presley’s costumes and old 78 rpm records.

A unique mic-stand that held 4 microphones for The Temptations.

The actual tape recorder used by Bob Dylan & The Band to record The Basement Tapes.

And those are just a sampling of what was there.

(Our 1998 pamphlet for the Rock & Roll Hall Of Fame Museum)

Should you go see it?  If you’re into music, I’d say…”A splendid time is guaranteed for all”.  There’s something special about being right next to the actual guitars and items used by great musicians to create their art.

When we saw it, the newest inductees were from the early 1970’s, because artists aren’t eligible until 25 years after they became successful.  Right now, the newest inductees would have to be from anytime before 1993.

No doubt the museum displays have undergone many changes over the past 20 years…but so has Rock & Roll.

The Rolling Stones…Singles

Rolling Stones fans bought a lot of their albums, but for the band to become well known and popular, it took hit singles.  So, let’s look at their classic singles from the 1960’s and 1970’s.

(Bill Wyman, Brian Jones, Mick Jagger, Charlie Watts, & Keith Richards)

The Stones were mostly a blues cover band in London in 1963.  Their first major hit in England was Lennon & McCartney’s “I Wanna Be Your Man”.  The Stones had asked John Lennon & Paul McCartney for a song, and they gave it to them, because The Beatles were not planning to release it as a single.

The Rolling Stones were not really part of the initial wave of the British Invasion, which started in late 1963, and had The Beatles’ explosion in early 1964.    It wasn’t until November of 1964 that The Rolling Stones had their first Top 10 hit in the U.S….”Time Is On My Side” (#6).   In fact, the Stones tried to tour the United States in June of 1964, before they had any U.S. hits at all, and bassist Bill Wyman called it “a disaster”.

I have a memory of seeing a large newspaper ad for a concert in the Omaha World Herald.  It claimed The Rolling Stones were “Bigger than The Beatles”.  Bashing The Beatles in 1964, was amazingly wrong headed.  It would have been better to say “Good friends of The Beatles” (which was actually the truth).  The Omaha concert was infamous for almost no one showing up, and the band being threatened by someone who had a gun.

The Rolling Stones started out wearing matching suits…like Brian Epstein had provided for The Beatles…but The Stones, along with agent & producer Andrew Loog Oldham, realized they needed a change.  It was decided The Stones would not emulate The Beatles, but instead foster an image as the bad boys of Rock & Roll.  Oldham let them dress individually, and told them not to smile for publicity photos.

More importantly, he urged Keith Richards and Mick Jagger to become songwriters.  They soon became an excellent writing team.

By 1965, The Rolling Stones (originally called The Rollin’ Stones after a Muddy Water’s song) were having hits…”Heart Of Stone” (#19), “The Last Time” (#9), and one of the best singles of all time:

Keith Richards says he patterned the beat and feel of the single after Roy Orbison’s “Pretty Woman”, a #1 hit in  1964.  “Satisfaction” has a killer guitar hook, the lyrics went a long way in helping them with their “bad boy” image, and it was simply the biggest hit of 1965.  It took The Stones to a whole new level of popularity.

One minor mystery about the recording of “Satisfaction” is why there has never been an official release of a really good stereo version.  Even their 2002 re-release of the Hot Rocks collection has a quasi-stereo mix.  A great stereo mix exists, because it was available on a radio station promo CD in the 1990’s.  I have a copy of it, and it sounds so much better.  You can even hear that there’s an acoustic guitar in the mix.

The big hits continued in 1965 & 1966, including “Get Off Of My Cloud” (#1), “As Tears Go By” (#6), “19th Nervous Breakdown” (#2), and “Paint It Black” (#1).

In the latter part of the ’60’s, The Rolling Stones’ biggest hits were “Ruby Tuesday” (#1), “Jumpin’ Jack Flash” (#3), and “Honky Tonk Women” (#1)…great singles!

Unlike The Beatles, who stopped recording together in 1969, The Stones kept rolling in the ’70’s with “Brown Sugar” (#1), “Tumbling Dice” (#7), “Angie” (#1), “It’s Only Rock & Roll” (#16), “Fool To Cry” (#10), 1978 disco hit “Miss You” (#1, their last chart topper), and “Beast Of Burden” (#8).

With The Beatles gone, The Rolling Stones began promoting themselves as “The Greatest Rock & Roll Band In The World”.  Why not?  They had eight #1 hits, and forty-one Top 40 hits.  They’ve been a concert draw for over 50 years!    No one thought any Rock Band would still be playing when they were senior citizens.  They give “70’s Band” a whole new meaning.

(Charlie Watts,  Keith Richards,  Mick Jagger,  and  Ronnie Wood.)

Of course…now they smile!