The Lovin’ Spoonful’s first 7 singles all hit the top 10! They were part of the Folk Rock and Country Rock era that started in the mid 1960’s.
This is how we were introduced to The Lovin’ Spoonful. Their 1965 single, “Do You Believe In Magic”, made you feel good. They sang: “Believe in the magic of a young girl’s soul, believe in the magic of rock & roll, believe in the magic that can set you free”.
The band called it “good time music”. There was nothing else quite like it on the radio. The songs were written by John Sebastian. The band’s musical influences were Folk, Jug Band, Country, and Blues. It came out as a unique mixture of Rock & Roll. Their name came from a song by Mississippi John Hurt called “Coffee Blues”, and referred to a “Lovin’ Spoonful” of Coffee (which is different than the speculation about the origin).
The string of Top 10 hits that followed were…”You Didn’t Have To Be So Nice”, “Daydream” (#2), “Did You Ever Have To Make Up Your Mind” (#2), “Summer In The City” (#1), “Rain On The Roof”, and “Nashville Cats”. The last five of these six were all from 1966.
I remember that in 1966 The Beatles were asked if they had any favorite American Bands, and they said “The Lovin’ Spoonful”. Since they were a favorite of mine, it stuck with me, and I’ve always suspected that Paul McCartney wrote “Good Day Sunshine” because he liked “Daydream”.
“Nashville Cats” is a straight-forward salute to country music and the “thirteen-hundred-and-fifty-two guitar pickers in Nashville”. The Lovin’ Spoonful caught some grief for the line “yellow Sun records from Nashville”, because Sun Records was a Memphis studio. I’m guessing it was simply too hard to make “yellow Sun records from Memphis by way of Nashville” fit.
The Lovin’ Spoonful had more country flavored songs on their albums, including “Lovin’ You” and “Darlin’ Companion” which were recorded by Johnny Cash.
The influence of The Spoonful has far outlasted their career. They only had three more hits…”Darling Be Home Soon”, “Six O’Clock”, and “She Is Still A Mystery”, all in 1967. Zal Yanovsky and John Sebastian left the band, and it disbanded in 1968.
John Sebastian plays guitar, auto-harp, piano, and harmonica (his dad was a classical harmonica player). John was friends with a lot of other musicians, so he and his harmonica made guest appearances on “Deja Vu” by Crosby, Stills, Nash & Young, and on “Roadhouse Blues” by The Doors…among many others.
After he left The Lovin’ Spoonful, we lost track of John Sebastian. Then in 1970 at a record store in Memphis, we spotted this album:
After previewing a whole bunch of recent albums at a listening station, we thought the best one was John B. Sebastian. Information wasn’t readily available like today, and we didn’t know he had an impromptu performance at Woodstock prior to this release. If you liked The Lovin’ Spoonful, this album was a good follow up. We still enjoy many songs off this one, like “She’s A Lady”, “Red Eye Express”, “Rainbows All Over Your Blues”, “Magical Connection” and more. The album did fairly well, peaking at number 20.
John’s solo career never really caught fire, but he continued to write songs and perform. One tune he wrote was the theme song for a popular TV show, “Welcome Back Kotter”. It was the show that introduced John Travolta. “Welcome Back” became a #1 hit for John Sebastian.
There’s a song of his that deserves special mention. He wrote and performed “Stories We Could Tell”. It’s about musicians being on the road. Why do they put up with all the hassles? They do it so they can “sit back on a bed in some motel, and listen to the stories we could tell.” It’s a great song that’s been covered by Jimmy Buffett and Tom Petty.
Here’s the cover of the best collection of his solo recordings. It includes most of his John B. Sebastian album, and a good selection of the rest of his solo work.
The most recent recordings we’ve purchased by him are from a 2007 album he recorded with David Grisman, Satisfied. We selected two instrumentals, “Walk Right Back” (the Everly Brothers song) and “EMD”. They’re beautiful guitar and mandolin duets.
A long list could be made of 1960’s bands that had hits for just a short time. Only a few of them were as influential as The Lovin’ Spoonful.
Okay, had to attempt the list: Gary Lewis & The Playboys (the only other group to start with 7 top 10 hits), The Zombies, The Box Tops, The Association, The Yardbirds, The Searchers, The Dave Clark Five, The Byrds, The Classics IV, The Beau Brummels, The McCoys, The Turtles, The Mamas & The Papas, The Happenings, The Cyrkle, The Buckinghams, Buffalo Springfield, The Rascals, The Monkees, Steppenwolf, Spanky & Our Gang, The Animals, Peter & Gordon, Chad & Jeremy, Gerry & The Pacemakers, The Mindbenders, The Troggs, Herman’s Hermits, and more. I tried not to include one-hit and two-hit wonders, or bands that crossed into the 1970’s.
Many of these groups had great songs and were popular and influential, such as The Byrds. The truth is, the average life-span of a ’60’s rock/pop band was short. I believe all of these groups had hits for a span of one to four years. Despite the short careers, many of them (like The Lovin’ Spoonful) are in the Rock & Roll Hall of Fame.